Ebullient Edinburgh!

Love Edinburgh?

If the answer to that is “yes!” then you may be interetsed in the unique boutique prints we have to offer. We asked three of our most popular artists to produce artwork unique to our enchanting city.

Neil Dawson

Neil nearly always starts with a black canvas, and with the cityscapes he broadly divides the canvas into two areas of sky and water. Typically, each of these arears will have a couple of coats before he starts adding the skyline and buildings. Once they are done he then starts to add windows, lights, reflections and other details. It can take around 10 stages to build up the painting to its finished state which is usually done over a 6 week period.
He paints with oils straight from the tube, and uses his fingers to massage and blend the paint.
“Using my hands gives me a physical connection to the painting. They are perfect tools for laying down the paint, and grading the tones – working from dark to light. It allows me to easily switch between colours too. I love the fluid feeling and texture of the oil paint, and fingers are a lot easier to clean than brushes! This way I can keep the colours really vibrant.”

n dawson edinburgh night

Edinburgh Nights

Canvas on Board

34″ x 29″

Signed Limited Edition of 50

£599

NDA BRIDGE

Firth of Forth

Canvas on Board

13″ x 40″

Signed Limited Edition of 50 

£525

Original also available at £3,500

Paul Kenton

The contrast between light and dark, shadows, glints, sunlight – these are important elements of Paul’s paintings. The way the lights and colours of an already vibrant and bustling city scene are reflected and distorted in puddles on the street really inspires him, and adds greater depth and interest into a composition.
All the pieces were created using many layers of paint to build up the final image. This allows the brush strokes to be more free and loose. As a style, this particularly helps to create the look and feel of movement. Working this way is more energetic and the way the paint is applied and kept quite loose and not to overworked retains that energy. It is much more expressive painting this way.
“I want these pieces to come alive. A city is a place constantly on the go, and I want to capture that energy and movement within my work.”

kenton princes street view

Heart of Edinburgh

Boxed Canvas

Signed Limited Edition of 50

£695

Jeff Rowland

After he discovered the meaning and use of rain in movies, and that he wanted to use it in his work, Jeff had to teach himself how to paint the rain. He remembers using all sorts of things to try and recreate rain and the way it fell. He tried to paint with tooth brushes, floor scrubbing brushes and even cloth tightened into a ball and dragged over the canvas surface. Finally he came to use the good old fashioned DIY ceiling brush that he still uses today.
Jeff uses the rain as a suggestion for a washing away; a change in the narrative of the painting.
“I have a quirky thing I do before beginning to paint. I use the palm of my hands and place them onto the surface of the canvas. I then move them in a small circular movement all over it and get this tingle from the friction. It feels like a small connection between artist and canvas.”

jro edin

Together In Edinburgh

Canvas On Board

76cm x 122cm

Original

£5,950

These prints are ONLY available to purchase at Castle Fine Art Edinburgh, so feel free to come in and have a look.
If you are interested in the Signed Limited Editions, please note that we now only have a few copies left so if you are interested please get in touch sooner rather than later to avoid disappointment. 
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