DC Comics Collection: Alex Ross

The work of Alex Ross simultaneously appears to occupy both fantasy and reality.

On the one hand, he compels us to believe in the superhero ideology, his characters simply explode off the page, exquisitely capturing the essential thrill of a graphic novel, masterfully conveying the exhilaration of flight for Superman or deftly portraying the dark nobility of Batman.


Look! Up in the Sky!

Giclee on Paper Edition of 295


Boxed Canvas Edition of 195

Unframed/Framed £795/£995

And yet, on the other hand, Ross’s heroes are given a very real human edge. No longer are these characters simply flights of fancy, they are men and women who could well walk amongst us. Ross is careful to pay particular attention to the human qualities that make up his characters, Superman’s integrity, Batman’s determination, informed by his own mantra that these men are not considered superheroes because they are strong or because they have special powers, but because they perform acts that look beyond themselves.


Grim Gargoyles

Giclee on Paper Edition of 295


Boxed Canvas Edition of 195

Unframed/Framed £795/£995

Looking beyond the immediate is precisely what makes Ross’s work so accomplished and widely adored. It is confirmation of his incredible talent that he has been able to bring a fresh approach and perspective to well-known and well-established superheroes such as Batman and Superman.


Superman Forever

Giclee on Paper Edition of 295


Boxed Canvas Edition of 195

Unframed/Framed £795/£995

The chief distinction of Ross’s Dark Knight is being able to look Batman right in the eye. Avid fans of the classic comics will know previous illustrations merely hinted at the eye with glowing white slits, but so typical of Ross, this did not seem real enough. It did not bring Batman off the page, and so, he applied what has become his trademark style; suddenly Batman is transformed and invigorated.
Ross achieves this very real liveliness and vigour in part through his use of reference model, sometimes in full hero costume but often not; the connection to a human before him ground him in reality, the 3D nature of that very interaction somehow works itself into the essence of his art. His characters exist outside of our expectations, outside of their costumes, outside of the canvas, even. Ross describes the introduction to the use of live models as a breakthrough moment in his career:
“before that I had no idea how much I could grow as a draughtsmen. It was a huge turning point, because all through school I hadn’t so much as drawn from photographs – I’d always thought that you had to make it all up out of your head, and that’s how you did ‘fantasy’ illustration.”

HERE I AM!!!!!!

Decent on Gotham

Giclee on Paper Edition of 295


Boxed Canvas Edition of 195

Unframed/Framed £795/£995

Masterfully blurring the lines between fantasy and reality, Ross takes a medium and gives it the illusion of a third bringing a new perspective and style to comic book illustration that had never been realised in the genre previously.


Superman: Man of Tomorrow

Giclee on Paper Edition of 295


Boxed Canvas Edition of 195

Unframed/Framed £795/£1,050

His talent is unique, his style inimitable, his use of light and shadow expert, The dramatic composition of his art commands your attention whilst his virtuosity in figural motion maintains it. There are few that can be likened to Ross for the sheer vivacity of his creations and few that can be attributed with changing the landscape of the genre in a manner so befitting the characters within it.
Through his pages, covers and fine art, work by Alex Ross continues to be respected, admired and sought-after. With his creations he certainly cements himself in history as one of the foremost image makers in comic book culture and indeed artistry itself.


Batman: Dark Knight Detective

Giclee on Paper Edition of 295


Boxed Canvas Edition of 195

Unframed/Framed £795/£1,050

Fancy grabbing a Signed Limited Edition Alex Ross piece? 

Of course you do! They are flying off our walls like hot cakes so get your order in ASAP!

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We are delighted to announce that the stunning new collection of DC Comics art by award-winning artist Alex Ross is being released very soon. To keep up to date with all the latest news about the launch please complete the form below.


Register your interest here and we will send you artwork images when they are released! 

Alexander Millar – JUST IN!

Alexander Millar ‘My Way’ Bronze Sculpture.

Known for using his local Tyneside “Gadgies” as models in his work, which is collected by art lovers and celebrities across the globe, Millar is openly inspired by the working men and women of Britain. Millar has successfully transposed his famous Gadgie’s charm from 2D to 3D with this charming representation in bronze.


An edition of 95, this sculpture is available to buy in Edinburgh now priced at £2,350.


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Art Sale!

Welcome to our Summer Sale!

We have a large selection of beautiful Original and Signed Limited Edition artworks that are now on sale! 


Featuring pieces from: Alexander Millar, Keith Proctor, Daisy Boman, Louise Dear, Paul Kenton, Neil Dawson, Claire Francis-Smith, Paul Horton, Peter Smith, Lawrence Coulson, Louis Sidoli and many more!

With discounts ranging from 25%-75%!

So pop into the gallery and see if your favourite piece is on sale!

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NOW ON: Picasso Exhibition

Picasso – Important Works on Paper

Saturday 7th June – Sunday 29th June

We are proud to present our stunning collection of Pablo Picasso prints, all originals from the time period. The collection includes signed and unsigned Picasso Exhibition posters from the 1960s to the late 70s.

Who is Pablo Picasso?

Pablo Picasso (b.1881) was a Spanish painter who is widely acknowledged to be one of the most important artists of the twentieth century.
He was born Pablo Ruiz, the son of an art teacher and later adopted his mother’s maiden name of Picasso. He grew up in Barcelona, showing artistic talent at an early age. In the early 1900s, he moved between France and Spain before finally settling in Paris in 1904. There, he experimented with a number of styles and produced his own original ones, reflected in his ‘Blue’ and ‘Rose’ periods.


Galerie H. Matarasso, 1957


“Painting isn’t an aesthetic operation; it’s a form of magic designed as a mediator between this strange hostile world and us.”
In 1907 Picasso painted Les Demoiselles d’Avignon, a revolutionary work that introduced a major new style, ‘Cubism’, working closely with the French artist Georges Baraque in the development of this style. Picasso’s next major innovation, in 1912, was ‘Collage’, attaching pieces of cloth, newspapers or advertising to his paintings.
Picasso moved from style to style, experimenting with painting and sculpture and became involved with the Surrealist movement. In 1937, he produced his masterpiece, ‘Guernica’, a painting inspired by the destruction of the town in northern Spain by German bombers during the Spanish Civil War. Picasso supported the Republican government fighting against General Franco, and never returned to Spain after Franco’s victory.
“Ah, good taste! What a dreadful thing! Taste is the enemy of creativeness.”
Unlike many artists, Picasso remained in Paris during the German occupation. From 1946 to his death, he lived mainly in the south of France. He continued to produce a huge variety of work including paintings, sculptures, etchings and ceramics as well as a vast array of posters and other works on paper.


L’Heritage De Delacroix, 1964


Picasso was involved with a number of women during his life who were often artistic muses as well as lovers. He had four children. On 8th April 1973, he died of a heart attack at his home in Cannes.
“If I paint a wild horse, you might not see the horse…but surely you will see the wildness.”

Style Timeline

Blue Period 1901-1904

This period is characterized by essentially monochromatic paintings in shades of blue and blue-green, only occasionally warmed by other colours. These sombre works, inspired by Spain but painted in Paris, are now some of his most popular works. The works seem to reflect his experience of relative poverty and instability, depicting beggars, circus people or the poor.


Sala Gaspar


Rose Period 1904-1906

This period signifies the time when the style of Picasso’s painting regains its romantic quality in a series of cheerful and warm orange and pink colours, During these few years, Picasso was happy in his relationship with Fernande Oliver. Harlequins, circus performers and clowns appear frequently and will populate his paintings at various stages through the rest of his career.


Museo Picasso, Placio Agular


Primitivism and Africa 1907-1909

Picasso looked further afield for inspiration at this time of his career, painting in a style strongly influenced by African and ancient Iberian sculpture. During this time the French empire was expanding into Africa, and African artifacts were being brought back to Paris museums. It was during this period that Picasso painted his most famous work Les Demoiselles d’Avignon, echoing the angular shapes of the African masks and sculptures he saw in the Louvre



Le Dejeuner Sur L’Herbe – Galerie Louise Leris, 1962


Cubism 1909-1912

From 1909 onwards Picasso moved toward abstraction, leaving only enough signs of the real world to supply a tension between the reality of the outside of the painting and the complicated meditations on visual language within the frame, resulting in the artistic movement known as Cubism. Picasso analysed natural forms and reduced them into basic geometric parts on a two-dimensional plane. Colour was almost non-existent except for the use of a monochromatic scheme that often included grey, blue and ochre.



Galerie Louise Leris ,1960


Classicism and Surrealism 1918-1945

Picasso’s Cubist periods was followed by his neo-classicism, a return to tradition. In the period following the upheaval of World War I, Picasso produced work in a neoclassical style. This return to order is evident in the works of many European artists in the 1920s.
Much of his work after 1927 is also fantastic and visionary in character. The Surrealism movement was growing in strength and popularity and even Picasso could not really avoid being influenced by it.


Galerie Lucie Weill, 1966


Post 1945

Picasso’s late works were a mixture of styles, his means of expression in constant flux until the end of his life. Devoting his full energies to his work, he became more daring, his works more colourful and expressive and from 1968 through to 1971 he produced a torrent of paintings and hundreds of copperplate etchings. At the time these works were dismissed by most as pornographic fantasies of an old man or the slapdash works of an artist past his prime. Only later, after his death, when the rest of the art world had moved on from abstract expressionism, did the critical community come to see that Picasso had already discovered neo-expressionism and as, as so often before, ahead of his time.


Galerie Lucie Weill, 1967-1968



Sala Gaspar, 1968


In the last years of his life painting had become an obsessions with Picasso, and he would date each picture with absolute precision, thus creating a vast amount of similar paintings – as if attempting to crystallize individual moments of time.


 Come and see our historic Picasso Exhibition today!

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